Vietnamese opera
Author: c | 2025-04-25
Vietnamese opera, which is known as hat tuong or hat boi in Vietnamese, is a form of Vietnamese theatre. The art was influenced by Chinese opera but still has its unique
opera in Vietnamese - English-Vietnamese Dictionary
Vietnamese theatre. Hát tuồng is often referred to as classical Vietnamese opera influenced by Chinese opera.HòHò can be thought of as the southern style of Quan họ. It is improvisational and is typically sung as dialogue between a man and woman. Common themes include love, courtship, the countryside, etc. "Hò" is popular in Cần Thơ - Vietnam.Bài chòiRitual musicNhạc lễ - court musicTraditional musical instrumentsĐàn bầu (monochord zither)Đàn gáo (two-stringed fiddle with coconut body, from Chinese yehu)Đàn nguyệt (two-stringed fretted moon lute, from Chinese yueqin)Đàn nhị (two-stringed fiddle with hardwood body, from Chinese erhu)Đàn sến (two-string fretted flower lute, from Chinese Chaozhou qinqin)Đàn tam (fretless lute with snakeskin-covered body and three strings from Chinese sanxian)Đàn tam thập lục (hammered dulcimer from Chinese yangqin)Đàn tranh (long zither from Chinese guzheng)Đàn tỳ bà (pear-shaped four-stringed lute from Chinese pipa)Kèn bầu (oboe from Chinese suona)T'rưng (bamboo xylophone)K'ni (also spelled k'ny or k'ný) - one-string vertical fiddle with a resonating disc that is held in the player's mouth; played by the Jarai people of the Central HighlandsPhạm Tuyên was one of the representatives of Classical musicVietnamese composers also followed Western classical music, such as Cô Sao by Đỗ Nhuận, considered as the first Vietnamese opera. Hoàng Vân signed Thành Đồng Tổ Quốc, in 1960, considered as the first Vietnamese symphonie, and Chị Sứ as the first Vietnamese ballet in 1968, as well as the dozen of Choir with symphonic orchestra among his hundred famous patriotic tunes. Nguyễn Văn Quỳ also wrote 9 sonatas for. Vietnamese opera, which is known as hat tuong or hat boi in Vietnamese, is a form of Vietnamese theatre. The art was influenced by Chinese opera but still has its unique VietNamNet Bridge – The second Vietnamese opera will debut on Thursday at the Ha Noi Opera House marking a milestone for Vietnamese opera art. The first one debuted some 40 years ago. Opera milestone: The second Vietnamese opera will be performed by artists from Viet Nam National Opera and Ballet and Viet Nam National Symphony and Orchestra. Tuong - Vietnamese Opera is one of the genres of the Vietnamese traditional theatre. It is said that, during the The second Vietnamese opera will debut on May 26 at the Hanoi Opera House marking a milestone for Vietnamese opera art. The first one debuted some 40 years ago. An inspiring account of the production and performance of Vietnamese Opera in the United States. Here in Vietnam, Classical Vietnamese Opera (called Tuong or Hat Boi in You’d think that after Portrait of a Lady on Fire, we wouldn’t need romances, or even narrative films, anymore. I mean, Céline Sciamma has kinda been there and conquered that. Be that as it may, it seems people are still making them. And as it turns out, Song Lang proves that there is most definitely still a place for romance in cinema.Song Lang – SummarySong Lang is a Vietnamese narrative feature film written and directed by debut filmmaker Leon Le, co-written by Minh Ngoc Nguyen, and stars Lien Binh Phat and Isaac. Dung (Binh Phat) works in underground debt collection; He takes from small business owners and poor families that were loaned to at steep interest rates. Linh Phung (Isaac) is a Cai-luong (Vietnamese Opera) performer. When Dung comes to collect from the opera company, he and Linh meet; thus begins the slow forming of a friendship.Seeking HarmonyAt the beginning of Song Lang, Dung ‘Thunderbolt’ introduces himself to the audience as a man who has not yet found a true rhythm to his song. He is correct in this statement. We follow Dung as he goes about his daily business. He collects money from, or rather extorts, people, roughing them up if he feels the need to. It’s a pathetic life. And yet, Binh Phat draws so much sympathy from us with his subtle performance; an ever-present sadness behind his eyes lets those who choose to see know that he is simply in desperate need of connection.That connection does come, but not from the place the audience, much less Dung, expects. In an early scene, two girls ask Dung about his faith, and he says he has none. A few minutes later, Dung visits a church, but concedes that finding faith will not be his revelation. The sadness behind hisComments
Vietnamese theatre. Hát tuồng is often referred to as classical Vietnamese opera influenced by Chinese opera.HòHò can be thought of as the southern style of Quan họ. It is improvisational and is typically sung as dialogue between a man and woman. Common themes include love, courtship, the countryside, etc. "Hò" is popular in Cần Thơ - Vietnam.Bài chòiRitual musicNhạc lễ - court musicTraditional musical instrumentsĐàn bầu (monochord zither)Đàn gáo (two-stringed fiddle with coconut body, from Chinese yehu)Đàn nguyệt (two-stringed fretted moon lute, from Chinese yueqin)Đàn nhị (two-stringed fiddle with hardwood body, from Chinese erhu)Đàn sến (two-string fretted flower lute, from Chinese Chaozhou qinqin)Đàn tam (fretless lute with snakeskin-covered body and three strings from Chinese sanxian)Đàn tam thập lục (hammered dulcimer from Chinese yangqin)Đàn tranh (long zither from Chinese guzheng)Đàn tỳ bà (pear-shaped four-stringed lute from Chinese pipa)Kèn bầu (oboe from Chinese suona)T'rưng (bamboo xylophone)K'ni (also spelled k'ny or k'ný) - one-string vertical fiddle with a resonating disc that is held in the player's mouth; played by the Jarai people of the Central HighlandsPhạm Tuyên was one of the representatives of Classical musicVietnamese composers also followed Western classical music, such as Cô Sao by Đỗ Nhuận, considered as the first Vietnamese opera. Hoàng Vân signed Thành Đồng Tổ Quốc, in 1960, considered as the first Vietnamese symphonie, and Chị Sứ as the first Vietnamese ballet in 1968, as well as the dozen of Choir with symphonic orchestra among his hundred famous patriotic tunes. Nguyễn Văn Quỳ also wrote 9 sonatas for
2025-04-25You’d think that after Portrait of a Lady on Fire, we wouldn’t need romances, or even narrative films, anymore. I mean, Céline Sciamma has kinda been there and conquered that. Be that as it may, it seems people are still making them. And as it turns out, Song Lang proves that there is most definitely still a place for romance in cinema.Song Lang – SummarySong Lang is a Vietnamese narrative feature film written and directed by debut filmmaker Leon Le, co-written by Minh Ngoc Nguyen, and stars Lien Binh Phat and Isaac. Dung (Binh Phat) works in underground debt collection; He takes from small business owners and poor families that were loaned to at steep interest rates. Linh Phung (Isaac) is a Cai-luong (Vietnamese Opera) performer. When Dung comes to collect from the opera company, he and Linh meet; thus begins the slow forming of a friendship.Seeking HarmonyAt the beginning of Song Lang, Dung ‘Thunderbolt’ introduces himself to the audience as a man who has not yet found a true rhythm to his song. He is correct in this statement. We follow Dung as he goes about his daily business. He collects money from, or rather extorts, people, roughing them up if he feels the need to. It’s a pathetic life. And yet, Binh Phat draws so much sympathy from us with his subtle performance; an ever-present sadness behind his eyes lets those who choose to see know that he is simply in desperate need of connection.That connection does come, but not from the place the audience, much less Dung, expects. In an early scene, two girls ask Dung about his faith, and he says he has none. A few minutes later, Dung visits a church, but concedes that finding faith will not be his revelation. The sadness behind his
2025-04-23Eyes only begins to wash away when Linh inevitably enters his life, forcing him to deal with his past, as well as his future. And those eyes, when they brighten, they’re positively radiant.The second half is where Song Lang sings. Dung and Linh are thrust together for a night by sheer circumstance, and the film slows from a casual walk to a very leisurely stroll, like the one one has while walking at night alongside a crush — which is precisely what happens. [Relatively] quick scenes with incident and plot give way to quiet or even silent ones, where glances and introspection are enough. Eventually, the men speak, and realize they have much to say.This film understands that romance is not always or even often a dramatic affair. Romance is actively watching, and more importantly, actively listening.Breaking Glass PicturesSights and Sounds OnstageWhich is not to say there is no drama. Cai-luong, which is literally Vietnamese Opera, plays a central role in Song Lang. Not only is it deeply personal to both Dung and Linh, it’s also just a lot of this movie. A significant portion of the film consists of characters watching pieces being performed, if not performing them themselves, over and over again. It would be easy for this to grow tiring, but it never does.One reason for that is the music. The music in Song Lang is extraordinary. I am not that familiar with Cai-luong or Vietnamese music in general, and I have to admit that it took me a minute to get used to it. The instrumental melodies at first seem to clash almost violently with the singing; you wonder if this is what it’s actually supposed to sound like. But after a moment, the melodies and sounds begin to blend together. It results in the Cai-luong
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