Talkback mic
Author: m | 2025-04-23
On the talkback mic, press the 'view' button at the bottom of the talkback mic section on the X32. Then, on the display you can page over to Talkback A and Talkback B to assign which outputs
Talkback Mic: The Fantastic Automatic Talkback Mic - Tape Op
Return, allowing you to implement parallel compression or EQ without eating up additional inputs — another killer feature not found on other compacts.KS: As far as the monitor section, you have the ability to connect and switch between two sets of monitors, although there is no bass management. So, if you want to employ a subwoofer properly, you’ll have to use a subwoofer with built-in management or an external processor. There is the inclusion of a monitor dim switch with a variable dim level, as well as a cut button. You get other large-desk features such as a mono button, as well as the ability to monitor an outside source.SM: Source options for the monitor section include an external stereo line input and a 3.5 mm “iJack” input for portable players. Don’t be a snob now, you know you’ll use it! Each input source may be selected individually or summed in combination.AH: I find summable monitoring useful for quickly trying out a part or laying down a guide track against a prerecorded song (like a demo recording sitting on the artist’s iPhone) while the artist is in the control room going direct in. I’ve done this a bajillion times while recording keys, guitar, bass, etc. — definitely a pro feature that works well in the context of “producing” an artist or band.SM: The monitor section also offers a console-style talkback system with volume control and monitor dim function. The talkback button can be programmed to work in latch or momentary mode during the mixer’s power-up stage. On its very first tryout, I found the X-Desk’s talkback system to perform much better than my existing setup (shouting through the sliding glass door into my iso-booth). On first listen, I wasn’t entirely impressed with the X-Desk’s talkback mic, but after spending an extra few moments balancing the dim and talkback levels, I was more than satisfied with the results. All controls are intuitively located and light up when engaged.KS: There are those who have been critical of the sound of the headphone outputs, as well as the talkback mic. There are products that outperform the X-Desk here, but I found no objectionable issues in either case. Sure, the talkback mic sounds like a tin can, but hey, it’s a talkback mic. It’s supposed to pick up the guy on the couch across the room, not cut a lead vocal.AH: I’m not bothered so much with the sound of the talkback mic itself, but I find the mechanical noise bleeding into the talkback mic quite annoying. You hear noise in the cue mix when you push or release the talkback button — or touch anything on the console, for that matter, while talkback Hey!Im also having Problems with my Talkback Settings.Im using TV Studio 4K Pro and 3x Studio Camera 4K Pro.Cameras connected with 2 SDI Cables.Talkback on 15/16 is activated in the TVS 4K, also no mutes or n-1 assignments.Headsets are EPOS Gaming GSP 302 with the smaller Connectors.By switching to 3,5mm Mic as Audio-In on the Camera i checked that the Mic is working... Yes there is Signal from the Microphone and i can hear my Voice. Switched the Audio 1&2 back to internal Mics.I mapped the Push to Talk Button to F3 but there is no Talkback Signal.I even set the Headphone Mic Level to 100% and can hear how the Ground Noise is coming up on my Headphones when i press F3... but still no Signal from the Mic.Do i have to switch Talkback Mic from the 5Pin connecter to 3,5 manually? And if so.. how?Thank you in advance!TobyIEM with talkback mic? - ProSoundWeb
For your PreSonus StudioLive 16.0.2 USB mixer are available for download from your My PreSonus user account. Please visit and register your StudioLive 16.0.2 USB mixer to receive... Page 8: Getting Started Getting Started StudioLive™ 16.0.2 USB Level Setting Procedure Owner’s Manual Getting Started Before you begin, here are a few general rules of thumb: Always turn down the Main fader and both the Monitor and Phones knobs in the Monitor section down before making connections. Before plugging or unplugging a microphone while other channels are active, mute the channel to which you are connecting. Page 9 Getting Started StudioLive™ 16.0.2 USB Level Setting Procedure Owner’s Manual 3. Bring down all the faders on your StudioLive to the ∞ setting. 4. Make sure that the Mic/Line knob on Channel 1 is all the way counter-clockwise. 5. Plug your StudioLive into a power outlet and turn it on. 6. Page 10 Getting Started StudioLive™ 16.0.2 USB Level Setting Procedure Owner’s Manual 9. Speak or sing into your microphone at approximately the same volume you expect during the performance. 10. Turn the trim knob on Channel 1 clockwise while watching the first meter in the Fat Channel. Page 11: Hookup Owner’s Manual Hookup Rear-Panel Connections Microphone Inputs. Your StudioLive is equipped with 12 PreSonus XMAX microphone preamplifiers for use with all types of microphones. The XMAX preamplifier has a Class A input buffer, followed by a dual-servo gain stage. This arrangement results in ultra-low noise and wide gain control, allowing you to boost signals without increasing unwanted background noise. Page 12: Rear-Panel Connections Hookup StudioLive™ 16.0.2 USB Rear-Panel Connections Owner’s Manual Talkback Mic Input and Trim. The StudioLive does not have an onboard talkback mic; an external mic must be used. Phantom power is always enabled on this microphone preamp, so you can use either a dynamic or a condenser microphone. This is the trim control adjusts the gain of the Talkback input. Page 13 Hookup StudioLive™ 16.0.2 USB Rear-Panel Connections Owner’s Manual USB Port. This female USB-B jack provides connection to a computer for audio interfacing and control. 2 Amp Fuse.. On the talkback mic, press the 'view' button at the bottom of the talkback mic section on the X32. Then, on the display you can page over to Talkback A and Talkback B to assign which outputsTalkback Mic in REAPER - YouTube
With adjustments for border color, border width, position, direction and a lot more! The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture off screen revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation features a preview transition feature so you can setup your transitions before you switch it on air! Click on transition icons below Choose from instantly available wipe, mix, dip, DVE and stinger transitions! Built in DVE for Video Effects ATEM Constellation features up to 4 independent DVEs, depending on the model, that let you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions! Then the 2 and 4 M/E models include SuperSource processors for even more DVEs! Professional Broadcast Talkback To keep crews working as a single creative team, ATEM Constellation features built in talkback. Talkback supports a 5 pin XLR headset connector, plus a rear mounted RJ12 connector for interfacing with industry standard talkback systems such as ClearCom or RTS. You get full talkback control including program and engineering loops, sidetone control for hearing the headset mic into the headphones and program mix. ATEM Constellation also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It’s even possible to mix the talkback mic into the program audio for voiceovers! Internal Media for Stills and Motion Graphics The built in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the 2 or 4 media players. Media players simply appear as additional input sources on the ATEM Constellation, so you don’t have to use extra SDI inputs for graphics. The built in media pool holds graphics for use with the media players and the 1 M/E models can hold 20 stills and 200 frame animations, the 2 M/E models can hold 40 stills and 400 frame animations and the 4 M/E models can hold 60 stills and up to 400 frame animations. You can easily manage all of your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in. Includes New ATEM Advanced Chroma Key! For news or virtual set work, ATEM Constellation is perfect as it features lots of ATEM advanced keyers for high quality chroma or luminance keying! The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of Static from your Turtle Beach headset can ruin your entire gaming experience. So that you can get to playing and talking with your teammates once again, you need to know how to fix Turtle Beach headset with static noise.To fix this issue, we recommend charging up the headset, removing any Bluetooth devices from the vicinity, and unplugging and replugging the Talkback Cable connection into the headset and controller. If these solutions don’t work, you can try rebooting the Xbox and unplugging the mic cable for 30 seconds.To learn more about why your Turtle Beach headset may have static noise and what to do about it, scroll down.What Causes Turtle Beach Headset to Have Static Noise?Dying BatteryInterferenceLoose Talkback Cable ConnectionHow to Fix Turtle Beach Headset with Static Noise?Solution to Dying BatterySolution to InterferenceSolution to Loose Talkback Cable ConnectionOther SolutionsConclusionWhat Causes Turtle Beach Headset to Have Static Noise?If you notice that your Turtle Beach headset has static noise, there are three possible reasons for the issue. Diagnosing the problem can help you pick a solution that actually rectifies the issue.Dying BatteryFor some reason, Turtle Beach headsets begin buzzing whenever the battery level drops below 50%. If your headset is below 50%, the buzzing noise may be because the battery is dying. Especially if you notice the buzzing only started once the battery started dying, this is likely the cause of the static noise.InterferenceThis isn’t just an issue for Turtle Beach headsets, but many wireless headsets get static if they experience any interference. Interference can happen when there are other Bluetooth and wireless devices in the area. Interference is most likely the culprit if the static noise only happens when other Bluetooth devices are being used in the area.Loose Talkback Cable ConnectionTurtle Beach notes that a loose Talkback Cable connection will cause static noise and echoes. More so, a loose Talkback Cable connection makes it difficult to hear other players and forces the chat audio to cut in and out. This tends to happen a lot with the Xbox 360 specifically. Note that the Talkback Cable connection can either be loose on theWhat is the best Talkback mic - Gearspace
ATEM Talkback Converter 4K Technical Specifications Description ATEM Talkback Converter 4K handles up to 8 cameras for SDI talkback using embedded audio channels 15 and 16 as used on the Blackmagic Studio Cameras and ATEM Camera Converter. Supports 12G-SDI for all SD, HD and Ultra HD formats up to 2160p60 and provides BNC connections to each camera, and an optical fiber socket for adding an optical fiber SFP module for extending camera distances when required. Includes push to talk buttons, support for tough and common aviation headsets, loop through for more than 8 camera support, built in speaker, front panel mic input and much more. Download Manual Download Software Connections SDI Program Inputs 1 x 10-bit SD/HD/Ultra HD 4K auto switching program input from switcher, including tally information with 16 channel embedded audio. Please click here for a summary of recommended cables to use with Blackmagic 12G‑SDI products. SDI Program Outputs 1 x 10-bit SD/HD/Ultra HD 4K auto switching program loop thru output connects to another ATEM Talkback Converter 4K. Talkback Audio Aviation Headsets with 0.25" TRS headset connector and 0.206" TRS microphone connector. Front mounted balanced XLR microphone connector. Analog Audio 1 x stereo RCA monitoring output. SDI Camera Inputs 8 x 10-bit SD/HD/Ultra HD 4K auto switching 16 channel embedded audio. SDI Camera Outputs 8 x 10-bit SD/HD/Ultra HD 4K auto switching 16 channel embedded audio. SDI Outputs 8 x 10-bit SD/HD/Ultra HD 4K auto switching 16 channel embedded audio. Optical Fiber Video Inputs (Optional) 8 x single mode SD/HD/Ultra HD 4K auto switching camera inputs with LC connector. Optical Fiber Video Outputs (Optional) 8 x single mode SD/HD/Ultra HD 4K auto switching camera outputs with LC connector. Optical Fiber Audio Inputs 8 x single mode camera audio inputs with LC connector. Channels 1 and 2 are cameraTalkback Mic Setup Question - Gearspace
The Whirlwind Qbox is an in-line, 9V battery-operated beltpack audio testing utility device, designed for live sound, studio maintenance, and installation applications.The Whirlwind Qbox includes a microphone, a speaker, a test tone generator, outputs for standard headphones, a 1/4" jack for a line-in or a 2k Ohm (telephone) earpiece out, along with voltage presence LEDs for confirming phantom or intercom power.The Whirlwind Qbox is suitable for multiple purposes including hands-free intercom use when connected to another Qbox. It provides a mic- or line-level tone for activating a signal path, or identifying a specific cable in a pile of cable ends, and can also be used to monitor a standard 3-wire intercom feed of talkback from the main audio console.Key Features• The SOURCE section of the Qbox lets you send a tone or the signal from the built-in condenser mic at mic or line levels • The SPEAKER volume control lets you confirm incoming signals at mic or line level • Built-in amplifier provides up to 60dB of gain • Attenuator switch selects output level to XLR or 1/4 in. outputs • Tone/Internal Switch selects source to be provided to XLR and 1/4 in. outputs• Volume control adjusts level sent to speaker or headphone output • Stereo Phone Jack allows the use of stereo or mono headphones while disconnecting the internal speaker. On the talkback mic, press the 'view' button at the bottom of the talkback mic section on the X32. Then, on the display you can page over to Talkback A and Talkback B to assign which outputs It's a talkback mic. The only thing i care for in a talkback mic is sensitivity, this is very sensitive, therefore easy to use. Sound? It's a talkback mic, who cares what it sounds like, as long asDigico SD5 talkback mic. - ProSoundWeb
Remain unchanged.Global SafeMost digital desks also feature Global Safe, which means “no matter what scene is recalled, these parameters are always safe.” The compressor settings on a mix bus for an in-ear mix would be a good candidate for Global Safe. Setting a channel to recall safe is useful in a festival situation where you have a talkback or MC mic that won’t be changing for the entire day. No matter what scene or snapshot is recalled, the MC mic is always active. Yay!The challenge comes in understanding how each manufacturer organizes safe functions, and their terminology used to describe it. For some desks, you select what you want to be included in a recall; for other consoles you select what you want to be exempt from recall. Stay sharp! Steve “Woody” La Cerra is the tour manager and front of house engineer for Blue Öyster Cult. He can be reached via email at [email protected].Comments
Return, allowing you to implement parallel compression or EQ without eating up additional inputs — another killer feature not found on other compacts.KS: As far as the monitor section, you have the ability to connect and switch between two sets of monitors, although there is no bass management. So, if you want to employ a subwoofer properly, you’ll have to use a subwoofer with built-in management or an external processor. There is the inclusion of a monitor dim switch with a variable dim level, as well as a cut button. You get other large-desk features such as a mono button, as well as the ability to monitor an outside source.SM: Source options for the monitor section include an external stereo line input and a 3.5 mm “iJack” input for portable players. Don’t be a snob now, you know you’ll use it! Each input source may be selected individually or summed in combination.AH: I find summable monitoring useful for quickly trying out a part or laying down a guide track against a prerecorded song (like a demo recording sitting on the artist’s iPhone) while the artist is in the control room going direct in. I’ve done this a bajillion times while recording keys, guitar, bass, etc. — definitely a pro feature that works well in the context of “producing” an artist or band.SM: The monitor section also offers a console-style talkback system with volume control and monitor dim function. The talkback button can be programmed to work in latch or momentary mode during the mixer’s power-up stage. On its very first tryout, I found the X-Desk’s talkback system to perform much better than my existing setup (shouting through the sliding glass door into my iso-booth). On first listen, I wasn’t entirely impressed with the X-Desk’s talkback mic, but after spending an extra few moments balancing the dim and talkback levels, I was more than satisfied with the results. All controls are intuitively located and light up when engaged.KS: There are those who have been critical of the sound of the headphone outputs, as well as the talkback mic. There are products that outperform the X-Desk here, but I found no objectionable issues in either case. Sure, the talkback mic sounds like a tin can, but hey, it’s a talkback mic. It’s supposed to pick up the guy on the couch across the room, not cut a lead vocal.AH: I’m not bothered so much with the sound of the talkback mic itself, but I find the mechanical noise bleeding into the talkback mic quite annoying. You hear noise in the cue mix when you push or release the talkback button — or touch anything on the console, for that matter, while talkback
2025-03-24Hey!Im also having Problems with my Talkback Settings.Im using TV Studio 4K Pro and 3x Studio Camera 4K Pro.Cameras connected with 2 SDI Cables.Talkback on 15/16 is activated in the TVS 4K, also no mutes or n-1 assignments.Headsets are EPOS Gaming GSP 302 with the smaller Connectors.By switching to 3,5mm Mic as Audio-In on the Camera i checked that the Mic is working... Yes there is Signal from the Microphone and i can hear my Voice. Switched the Audio 1&2 back to internal Mics.I mapped the Push to Talk Button to F3 but there is no Talkback Signal.I even set the Headphone Mic Level to 100% and can hear how the Ground Noise is coming up on my Headphones when i press F3... but still no Signal from the Mic.Do i have to switch Talkback Mic from the 5Pin connecter to 3,5 manually? And if so.. how?Thank you in advance!Toby
2025-03-24For your PreSonus StudioLive 16.0.2 USB mixer are available for download from your My PreSonus user account. Please visit and register your StudioLive 16.0.2 USB mixer to receive... Page 8: Getting Started Getting Started StudioLive™ 16.0.2 USB Level Setting Procedure Owner’s Manual Getting Started Before you begin, here are a few general rules of thumb: Always turn down the Main fader and both the Monitor and Phones knobs in the Monitor section down before making connections. Before plugging or unplugging a microphone while other channels are active, mute the channel to which you are connecting. Page 9 Getting Started StudioLive™ 16.0.2 USB Level Setting Procedure Owner’s Manual 3. Bring down all the faders on your StudioLive to the ∞ setting. 4. Make sure that the Mic/Line knob on Channel 1 is all the way counter-clockwise. 5. Plug your StudioLive into a power outlet and turn it on. 6. Page 10 Getting Started StudioLive™ 16.0.2 USB Level Setting Procedure Owner’s Manual 9. Speak or sing into your microphone at approximately the same volume you expect during the performance. 10. Turn the trim knob on Channel 1 clockwise while watching the first meter in the Fat Channel. Page 11: Hookup Owner’s Manual Hookup Rear-Panel Connections Microphone Inputs. Your StudioLive is equipped with 12 PreSonus XMAX microphone preamplifiers for use with all types of microphones. The XMAX preamplifier has a Class A input buffer, followed by a dual-servo gain stage. This arrangement results in ultra-low noise and wide gain control, allowing you to boost signals without increasing unwanted background noise. Page 12: Rear-Panel Connections Hookup StudioLive™ 16.0.2 USB Rear-Panel Connections Owner’s Manual Talkback Mic Input and Trim. The StudioLive does not have an onboard talkback mic; an external mic must be used. Phantom power is always enabled on this microphone preamp, so you can use either a dynamic or a condenser microphone. This is the trim control adjusts the gain of the Talkback input. Page 13 Hookup StudioLive™ 16.0.2 USB Rear-Panel Connections Owner’s Manual USB Port. This female USB-B jack provides connection to a computer for audio interfacing and control. 2 Amp Fuse.
2025-04-18With adjustments for border color, border width, position, direction and a lot more! The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture off screen revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation features a preview transition feature so you can setup your transitions before you switch it on air! Click on transition icons below Choose from instantly available wipe, mix, dip, DVE and stinger transitions! Built in DVE for Video Effects ATEM Constellation features up to 4 independent DVEs, depending on the model, that let you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions! Then the 2 and 4 M/E models include SuperSource processors for even more DVEs! Professional Broadcast Talkback To keep crews working as a single creative team, ATEM Constellation features built in talkback. Talkback supports a 5 pin XLR headset connector, plus a rear mounted RJ12 connector for interfacing with industry standard talkback systems such as ClearCom or RTS. You get full talkback control including program and engineering loops, sidetone control for hearing the headset mic into the headphones and program mix. ATEM Constellation also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It’s even possible to mix the talkback mic into the program audio for voiceovers! Internal Media for Stills and Motion Graphics The built in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the 2 or 4 media players. Media players simply appear as additional input sources on the ATEM Constellation, so you don’t have to use extra SDI inputs for graphics. The built in media pool holds graphics for use with the media players and the 1 M/E models can hold 20 stills and 200 frame animations, the 2 M/E models can hold 40 stills and 400 frame animations and the 4 M/E models can hold 60 stills and up to 400 frame animations. You can easily manage all of your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in. Includes New ATEM Advanced Chroma Key! For news or virtual set work, ATEM Constellation is perfect as it features lots of ATEM advanced keyers for high quality chroma or luminance keying! The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of
2025-04-17