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Contents Table of Contents Bookmarks Need help? Do you have a question about the Vintager AC112 and is the answer not in the manual? Questions and answers Related Manuals for Behringer Vintager AC112 Summary of Contents for Behringer Vintager AC112 Page 14 Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B SPRING short Pre-Delay Reverb Time Mix L Mix R REVERB long Pre-Delay Reverb Time Mix L Mix R short Pre-Delay Reverb Time Mix L Mix R STUDIO long Pre-Delay Reverb Time Mix L Mix R short Pre-Delay Reverb Time Mix L... Page 15 Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B Feedback 0 % Delay Time Drive Delay Mix WAH / DELAY / Feedback 10 % Delay Time Drive Delay Mix DISTORTION Feedback 30 % Delay Time Drive Delay Mix Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B DELAY / REVERB Delay Time... Page 16 Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B Feedback 0 % LFO Speed Depth Feedback 62 % LFO Speed Depth PHASER Feedback 62 % LFO Speed Depth Feedback 77 % LFO Speed Depth Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B LFO Speed Depth slow... Page 17 Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B ultra Reverb Time Chorus Mix Reverb Mix slow Reverb Time Chorus Mix Reverb Mix CHORUS / medium I Reverb Time Chorus Mix Reverb Mix REVERB medium II Reverb Time Chorus Mix Reverb Mix fast Reverb Time Chorus Mix Reverb Mix Preset-Nr. Page 18 Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B ultra Delay Time Flanger Mix Delay Mix slow Delay Time Flanger Mix Delay Mix FLANGER / medium I Delay Time Flanger Mix Delay Mix DELAY medium II Delay Time Flanger Mix Delay Mix fast Delay Time Flanger Mix Delay Mix... Page 19 Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT

B Delay Time Variation Delay Mix MAGIC DRIVE Delay Time Variation Delay Mix Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B fast Sensitivity Depth AUTO WAH slow Sensitivity Depth Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B LFO Band Pass LFO Speed Depth... Page 20 Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B Tune Left Mix L Mix R Tune Left Mix L Mix R Tune Left Mix L Mix R PITCH Tune Left Mix L Mix R SHIFTER Tune Left Mix L Mix R +4 % Tune Left Mix L... Page 21 Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B fast Sensitivity Ratio Gain COMPRESSOR slow Sensitivity Ratio Gain Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B Overdrive Sensitivity Ratio Gain EXPANDER Clean Sensitivity Ratio Gain Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B Drive Presence... Page 22 Preset-Nr. Effect Variation PARAMETER EFFECT A EFFECT B Stack A HF Cut Peak Gain Peak Frequency SPEAKER Stack B HF Cut Peak Gain Peak Frequency CABINET Combo HF Cut Peak Gain Peak Frequency... Page 26 Effect Variation short Pre-Delay Reverb Time 1..32 Mix L 0..50 10 Mix R 0..50 10 SPRING REVERB long Pre-Delay Reverb Time 1..32 Mix L 0..50 10 Mix R 0..50 10 short Pre-Delay Reverb Time 1..32 Mix L 0..50 10 Mix R 0..50 10 STUDIO long Pre-Delay... Page 27 Effect Variation ultra Reverb Time 0..63 20 Flanger Mix 0..99 50 Reverb Mix 0..50 10 slow Reverb Time 0..63 20 Flanger Mix 0..99 40 Reverb Mix 0..50 10 FLANGER / medium I Reverb Time 0..63 50 Flanger Mix 0..99 50 Reverb Mix 0..50 10 REVERB medium II Reverb Time... Page 28 Default OFF, 1 - 16 Basic memorized Changed OFF, 1 - 16 Channel Default Messages Mode Altered Note Number True Voice Note ON Velocity Note OFF Keys

Love the Pure Plate Reverb for its warm vintage... Read More E. Idowu February 6, 2025 Ezekiel TSMan I love the Pure Plate Reverb for its warm vintage tone, it's a simple Reverb and easy to use, it blends easily with vocals and unique on Drums too, but one thing is of IAD can make it allow... Read More R. Albertsen November 26, 2024 Great Value Perfect Plate for vocals, no fuss, no muss & no dust! Read More F. Pinar November 12, 2024 Better than the competition This sounds much better than the other plugins out there from other brands. It sits very easily on the mix. Read More R. Swinkels September 30, 2024 Easy and good sounding This reverb is easy to use and good sounding either direct on a instrument or via a aux channel. It’s worth it’s money . Read More T. Glosser August 26, 2024 Sounds great Simple and easy to use. Read More

Lives for gear Joined: Feb 2013 Posts: 541 🎧 10 years AMS RMX16 plugin for non-UAD hardware? Does anyone know if the AMS RMX16 reverb plugin from Universal Audio works with non-UAD audio interfaces?I heard that UAD have re-made several of their plugins to work with any audio interface (not just the Universal Audio ones), but there's no mention of this (or any tech specs for that matter) on the AMS RMX16 plugin page (see link above).I'm looking for that 80s "nonlin" gated reverb for 80s r&b/Hip Hop/Electro-funk, and it has to be a AU format plugin which works on a Mac running Logic Pro X. I assume the above plugin is the most authentic one available. Gear Maniac Joined: May 2015 Posts: 233 🎧 5 years Quote: Originally Posted by rhythmcomposer ➡️ Does anyone know if the AMS RMX16 reverb plugin from Universal Audio works with non-UAD audio interfaces?I heard that UAD have re-made several of their plugins to work with any audio interface (not just the Universal Audio ones), but there's no mention of this (or any tech specs for that matter) on the AMS RMX16 plugin page (see link above).I'm looking for that 80s "nonlin" gated reverb for 80s r&b/Hip Hop/Electro-funk, and it has to be a AU format plugin which works on a Mac running Logic Pro X. I assume the above plugin is the most authentic one available. Valhalla Vintage Verb has Nonlin reverb also amongst others - it was for sure one of the reason I purchased it. Lives for gear Joined: Apr 2017 🎧 5 years Reverberate 3 plus Inhalt Townhouse AMS. Lives for gear Joined: Feb 2013 Posts: 541 🎧 10 years I actually already have the Waves H-Reverb hybrid plugin which contains a few nonlin presets, but assuming the AMS plugin is "the real deal" I wanted to ask about it.Opinions on how the Valhalla Vintage Verb and Reverberate 3/Townhouse AMS Impulse Response library compare to the H-Reverb for this sort of 80s sound?Oh, upon further research I found out that the Universal Audio plugins I had heard about which don't rely on UAD hardware is the UAD Spark plugin collection subscription service and only contain certain UAD plugins, and not the AMS RMX16. So the bottom line (as far as I know) is that for the real thing you need UAD hardware for the plugin, the AMS/Neve RMX16 500 series hardware reissue or a vintage original RMX16 rack unit. None of these are realistic options for me. Lives for gear Joined: Apr 2017 🎧 5 years Quote: Originally Posted by rhythmcomposer ➡️ I actually already have the Waves H-Reverb hybrid plugin which contains a few nonlin presets, but assuming the

Preset that matches the reverb sound in my head, I then fine-tune the results with EQ or compression. Space Designer continues to be my trusted workhorse for most mixing applications. As a convolution reverb, Space Designer recreates the sound of just about any space - indoor, outdoor, and everywhere in between. But not only that, Space Designer can recreate any "space." From speakers to analog gear, moving textures to drum transformers, and even cool rhythmic patterns.I most often use Space Designer for gluing instruments and mixes together. Whenever I need the sound of a room, chamber, hall, or plate, Space Designer is there for me. And in my opinion, the sounds that Space Designer delivers are wonderful. They sound natural and inspiring. And can be tamed easily with EQ.While I turn to Space Designer for natural glue and ambiance, I tend to turn to ChromaVerb for more "special effect" reverb choices. Think long, dramatic vocal reverb tails. Drenched reverb pads recycle into themselves thanks to ChromaVerb's awesome Freeze button. Slapback reverbs call attention to themselves as they quickly ping pong along. I feel more at home with ChromaVerb when it comes to creative sound design as compared to Space Designer. With 14 different room types to choose from, Dampening EQ, and the many other controls, it doesn't take much time to dial-up an inspiring reverb. The workflow is similar to that of Fabfilter's Pro-R or one of the many Valhalla DSP offerings. With Space Designer I’m never looking to craft a reverb from scratch. Whereas with ChromaVerb it’s a fairly easy affair.So for me, Space Designer for natural glue and ambiance. ChromaVerb for sound design and effect. And the pairing of Logic's 2 reverb plugins can work in just about any mix.Edgar RothermichIn audio production, there are five categories of

The humble reverb has come a long way over the years, and for good reason — it’s an essential part of any good mix. Of course, because of that there’s no shortage of great reverb plugins, but that doesn’t mean there isn’t room for one more. FabFilter has just added its new plugin to the mix — the FabFilter Pro-R.If you happen to buy the FabFilter Pro-R, however, you’ll quickly notice that it’s not just another reverb plugin. In fact, the Pro-R could be the best of the bunch.FabFilter Pro-R reverb pluginFabFilter is at it again. Following on the popular Pro-C2 and Pro-MB plugins, the company has released the FabFilter Pro-R reverb. But is it worth the cash?ProsStunning designHighly functionalDesignFabFilter has never been one to shy away from excellent design, and the results have generally always been absolutely stunning. The Pro-MB multi-band compressor made multiband compression simple thanks to its stellar interface, and the new Pro-R takes many of the same design cues that have been used on great FabFilter plugins over the years, applying them to the reverb.The majority of the plugin window is taken up by a waveform analysis section, which gives you control over two different frequency curves — a decay rate EQ, and a post EQ. We’ll talk a little more about what that means later on, but for now we can tell you one thing — the waveform analysis section is beautifully done, and the dancing frequencies almost encapsulates what reverb would look like if it could be seen. Sure, that may not really affect the sound of the plugin, but we think a visual component to sound is always helpful, especially for those still learning how to use reverb. Not only that, but beautiful design has always made something more enjoyable to use — beautiful cars are the icing on the cake of a powerful motor, and the beautifully designed iPhone makes the iOS experience even better.ControlsAt the top of the plugin window, you’ll find all your controls — although you may not even need them given the huge number of presets at your disposal. First up is the Brightness knob, which goes from “dark” to “bright” and changes the overall timbre of the reverb. Then you’ll find the Character knob, which changes the level of chorus in the verb. Next up is Distance, which changes how far away from the source the reverb