Geddy images

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Browse 2,824 geddy lee photos and images available, or start a new search to explore more photos and images. Showing Editorial results for geddy lee. Search instead in Images ? Browse 2,823 geddy lee photos and images available, or start a new search to explore more photos and images. Showing Editorial results for geddy lee. Search instead in Images ?

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Geddy Lee Celebrates the Launch Of Paramount's Geddy - Getty Images

Fin Costello, Getty ImagesRush's Geddy Lee is a triple threat — able to play some of the world's best and most complex bass lines with shocking ease, deploy his daring and ambitious vocal theatrics at will and, somehow, work out all the synth arrangements onstage all at the same time. In celebration of this living legend on his birthday, we look back at the rocker's distinct looks through the years with a series of photos.Yes, that even means highlighting Rush's mid-to-late '80s era where mullets were the group's mainstay as the band dabbled in New Wave dalliances, padding their cerebral but accessible brand of prog rock with synths that were both atmospheric and prominent drivers of melody.But back in the '70s, Geddy Lee had some of the best hair in rock, truly one of the all-time follicle fallacies as he's constantly left out of that conversation amid the glam rockers that dominated MTV.Step into the limelight of the working man and see photos of Geddy Lee through the years directly below.Top 70 Hard Rock + Metal Albums of the 1970sMore From Loudwire

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Geddy Lee On Stage - Getty Images

MembersBandBrian Johnson, Angus Young, Phil Rudd Mick Jones, Topper Headon, Joe Strummer Mick Jones, Lou Gramm, Dennis Elliott Billy Gibbons, Frank Beard, Dusty Hill Kate Pierson, Fred Schneider, Cindy Wilson Michael Hutchence, Kirk Pengilly, Tim Farriss Ad-Rock, MCA, DJ HurricaneChrissie Hynde, James Honeyman-Scott, Martin Chambers Neil Murray, David Coverdale, Cozy Powell Dennis DeYoung, Chuck Panozzo, Tommy Shaw Michael Steele, Susanna Hoffs, Vicki Peterson Lemmy Kilmister, Phil Campbell, Würzel Alex Lifeson, Neil Peart, Geddy Lee Siobhan Fahey, Keren Woodward, Sara Dallin Paul Weller, Bruce Foxton, Rick Buckler MembersBandJoe Elliott, Rick Savage, Rick Allen Bono, Adam Clayton, Larry Mullen Jr Ronnie DeVoe, Ralph Tresvant, Bobby Brown Neal Schon, Steve Perry, Jonathan Cain Tom Bailey, Alannah Currie, Joe Leeway Tony Banks, Phil Collins, Mike Rutherford George Harrison, Jeff Lynne, Roy Orbison Cesar Rosas, Conrad Lozano, David Hidalgo Bun E. Carlos, Robin Zander, Rick Nielsen John Waite, Neal Schon, Jonathan CainJoey Simmons, Darryl McDaniels, Jason Mizell K.K. Downing, Rob Halford, Dave Holland Steve Howe, Carl Palmer, Geoff Downes Robert Smith, Lol Tolhurst, Porl Thompson Grace Slick, Mickey Thomas, Pete Sears

Photo of Geddy LEE and RUSH - Getty Images

Craft your own unique voice. Guitar plugins have this adventurous, gamified aspect to music which I find really cool.It’s a different mindset for crafting a guitar sound.I think a lot of people get a lot of enjoyment out of discovering sounds and playing around with these tools. That’s why pedals and now modelers and software are such a big part of the industry. They can truly make things fun.You know what happens sometimes – you hit a rock or you don’t feel like learning new songs. I’ve heard a lot of people that have a Quad Cortex saying that they fell in love with the guitar again, or they rekindled their passion for playing, just because it inspired them to play or practice more.Karnivool bassist Jon Stockman poured his diabolical distortions into the Darkglass Electronics pedal Alpha · Omega.To take it one step further for you, as a listener, when you hear a guitarist or a bassist with good tone, what does that do to you? What kind of response does that provoke?It’s as important as the notes, as the melodies of the song. One of my favorite bands is Karnivool from Australia, check out their [2009] album Sound Awake. What I like about their bass distortion is that it’s full of contradictions: Usually the more bass you have, the more it gets distorted, and the fuzzier things get.So having a tight-sounding bass distortion [like Karnivool bassist Jon Stockman] is not very easy to do. When I was doing the first Darkglass stuff 15 years ago I had to do things that were very unorthodox, so I love the fact that a bass tone comes on huge and tight at the same time. It’s almost like engineering something.I also like the tone of Tool [bassist Justin Chancellor], Billy Sheehan, Rush [bassist Geddy Lee], all of these iconic bass players. They all seem to have figured out their own technique to get these tones. I respect that a lot. I try to figure out to this day how Tool gets their tone. I’m still trying to reverse engineer their pedal board and bass.AI/ML for Audio System Design: Pros and ConsLet’s shift gears and talk about AI/ML (artificial intelligence/machine learning). What role does it play in your design process? Why is this increasingly important in audio software design?It’s interesting because I think when technology gets super-in-the-mainstream vernacular, it’s so easy to over-hype. Browse 2,824 geddy lee photos and images available, or start a new search to explore more photos and images. Showing Editorial results for geddy lee. Search instead in Images ? Browse 2,823 geddy lee photos and images available, or start a new search to explore more photos and images. Showing Editorial results for geddy lee. Search instead in Images ?

Geddy Lee Stock Photos and Pictures - 140 Images

Themselves a disservice and opens their product to ridicule, by presenting it as an alternative to wasting three precious minutes at the start of a session tuning the guitar . iMac 27" 2017 Quad-Core Intel i5 (3.8 GHz, 64 GB), OSX 13.7.1, MOTU DP 11.34, SpectraLayers 11RME Babyface Pro FS, Radial JDV Mk5, Hammond XK-4, Moog VoyagerEugenio Upright, 60th Anniversary P-Bass, USA Geddy Lee J-Bass, Yamaha BBP35Select Strat, 70th Anniversary Esquire, Johnny Marr Jaguar, 57 LP, Danelectro 12Eastman T486RB, T64/V, Ibanez PM2, D'angelico Deluxe SS Bari, EXL1Guild Bari, 1512 12-string, M20, Martin OM28VTS, Larivee 0040MH donreynolds Posts: 1321 Joined: Wed Nov 24, 2004 10:01 pm Primary DAW OS: MacOS Location: Apollo Beach Florida Post by donreynolds » Wed Mar 12, 2008 12:58 pm Shooshie wrote:Could it be a prank? After all, the guy DID say something like "no reason why you can't do it in real life even if it is theoretically impossible." And he did look a little stereotypical for the mad scientist role. Ah, it's probably real. But it does make me wonder. As someone pointed out, you could take a Beethoven symphony and do remixes forever. This is opening some doors into territory we barely even know what to do with. Just when we're starting to get a handle on the problem in DRM as regards remixes, and we're nowhere near a solution, someone ups the ante.ShooshieIt's no prank. I got an e-amil from Celemony today advertising it Mac Studio M2 OS 15.3 Sequioa, Presonus Faderport 8, 150gig Raptor x 2, Glyph 2Tb drive DP 11.33, Antelope Discrete 8, BLA microclock ll, Presonus Central Station, Waves Plat. V7 , Slate Everything, Melodyne studio, SSD 5, TruePianos, Event 20/20 bas, Adam A7, Avantone Active MixCube, and other toys, Lotsa guitars, HeadRush GTR processor and a Korg Triton) philbrown

1,082 Alex Lifeson And Geddy Lee - Getty Images

Post by mhschmieder » Wed Mar 12, 2008 4:13 pm Yeah, I missed that feature as I stumbled through the streaming video last night (I can't really watch streamed videos in anything resembling a continuous fashion, so probably shouldn't judge audio quality from something that is hiccupping frequently ).Another way in which the "Mee-Dee" functionality could prove useful is in using an acoustic instrument as a "virtual MIDI controller" to later trigger other sounds, without all of the tracking issues that current guitar-to-MIDI and cello-to-MIDI converters still suffer (though they're getting better).Once past the beta stage, it will be interesting if someone can do a shootout of bi-tracked audio and MIDI from a guitar that has both an audio out jack and a hex pickup (just as one example), change the MIDI a little in DP, change the audio a little in Melodyne and export it to MIDI, and then use the two resulting MIDI tracks to trigger something like, say, a lute. Then compare (one could visually compare the two MIDI files as well, using Quickscribe). iMac 27" 2017 Quad-Core Intel i5 (3.8 GHz, 64 GB), OSX 13.7.1, MOTU DP 11.34, SpectraLayers 11RME Babyface Pro FS, Radial JDV Mk5, Hammond XK-4, Moog VoyagerEugenio Upright, 60th Anniversary P-Bass, USA Geddy Lee J-Bass, Yamaha BBP35Select Strat, 70th Anniversary Esquire, Johnny Marr Jaguar, 57 LP, Danelectro 12Eastman T486RB, T64/V, Ibanez PM2, D'angelico Deluxe SS Bari, EXL1Guild Bari, 1512 12-string, M20, Martin OM28VTS, Larivee 0040MH beautypill Posts: 570 Joined: Thu Nov 03, 2005 6:32 pm Primary DAW OS: MacOS Contact: Post by beautypill » Wed Mar 12, 2008 8:11 pm Please, everyone, focus on the wildly creative possibilities of this technology, not the lazy "fixing" possibilities! Who cares about fixing mistake notes in a guitar performance? Yawn!We're headed into a territory where all

Bassist and musician Geddy Lee of the Canadian - Getty Images

With the wrong hand - I can get it done while the argument is still going on between the leader and the sideman. If the new versions retain that agility, I'm still in. If it's still easy for my wife to use, ditto. Me? I'd like to see Encore on my iPad.I'm ok using Finale for the heavy lifting. Best of luck to the new endeavor.Mike DP 11.34; 828mkII FW, micro lite, M4, MTP/AV USB Firmware 2.0.12023 Mac Studio M2 8TB, 192GB RAM, OS Sequoia 15.3.1, USB4 8TB externals, Neumann MT48, M-Audio AIR 192|14, Mackie ProFxv3, Zoom F3 & UAC 232 32bit float recorder & interface; 2012 MBPs (x2) Catalina, MojaveIK-NI-Izotope-PSP-Garritan-Antares, LogicPro X, Finale 27.4, Dorico 5, Notion 6, Overture 5, TwistedWave, DSP-Q 5, SmartScore64 NE Pro, Toast 20 Pro Hotch Posts: 2 Joined: Wed Sep 04, 2013 9:39 am Primary DAW OS: MacOS Re: Changes at GVOX. Warning: Encore content - apathy alert! Post by Hotch » Fri Sep 06, 2013 7:33 am Hi Mike,If the new versions retain that agility, I'm still in. If it's still easy for my wife to use, ditto. Me? I'd like to see Encore on my iPad.I'm ok using Finale for the heavy lifting. That's the plan in a nutshell. Keep the same basic interface but on a new framework, this isn't light work, which will enable us to make an iOS/Android product. We'll get out bug fixes for the current product along the way. Finale is a very good product when you need to do the heavy lifting. Our plan includes a much more robust use of MusicXML so you'll be able to use both products freely. Michael Good created a solid sharable codebase that has become the standard for sharing music notation products.Hotch mhschmieder Posts: 11371 Joined: Wed Jul 06, 2005 10:01 pm Primary DAW OS: MacOS Location: Annandale VA Re: Changes at GVOX. Warning: Encore content - apathy alert! Post by mhschmieder » Sun Sep 08, 2013 1:30 am BTW Michael is a former colleague and also was a MOTUnation member for a long time, if not still (there are those who have neither the time nor inclination to post but do follow threads). iMac 27" 2017 Quad-Core Intel i5 (3.8 GHz, 64 GB), OSX 13.7.1, MOTU DP 11.34, SpectraLayers 11RME Babyface Pro FS, Radial JDV Mk5, Hammond XK-4, Moog VoyagerEugenio Upright, 60th Anniversary P-Bass, USA Geddy Lee J-Bass, Yamaha. Browse 2,824 geddy lee photos and images available, or start a new search to explore more photos and images. Showing Editorial results for geddy lee. Search instead in Images ?

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Will generally take longer to master than the 2-finger style. However, mastering 3-finger plucking will lead to several advantages over those who don’t.Many believe the main advantage to be speed, but this is not the case. Bassists who have mastered both 2 and 3- finger plucking tends to find that there is little to no difference in how fast they can play.The exception to the rule here is if you are going to play fast triplets or galloping. However, both styles have been applied by virtuoso bassists in multiple genres, with little discernable difference in peak speed.Furthermore, two of the most influential bassists ever, James Jamerson and Geddy Lee, played with just 1 finger. Some of the basslines these guys wrote are beyond what the vast majority of both 2 and 3-finger players will ever be capable of playing.The advantage of playing bass with 3 fingersSo if using 3 fingers isn’t noticeably faster than just using 2, what is the point of using a 3 finger technique at all? Well, there are several reasons. Here are the key arguments for bass players to use 3 fingers over 2:Consistent toneGetting a consistent tone with 3 fingers takes a good bit of practice. However, once you have mastered the technique, it will be easier to produce a consistent tone than it is with 2 fingers.This is because it will be harder to pluck with enough strength when playing fast basslines with 2 fingers, as opposed to 3.StaminaMore fingers mean that each finger will be worn out slower. Therefore, you can practice for longer and play extended shows without your fingers becoming exhausted and your technique suffering as a result.Being able to play for longer can allow you to speed up your overall progress as a bass player as well, as you can practice for longer without wearing out your hands.Less wear on each finger also means the development of calluses will be slower and less painful.More powerWhen playing fast bass lines, your fingers will not have the time to pluck the strings with their full strength.If you are using 2 fingers, each

2025-04-15

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As a Moog Rogue on a stick, the Taurus II offered more audio waveforms, oscillator sync and overdrive, as well as pitch modulation, filter modulation and envelope triggering from its multi‑waveform LFO. But to this day, the Taurus II has the unhappy distinction of being the most reviled of all analogue synthesizers. The Rogue has a small band of devoted followers, but players loved to hate the same synth engine in the Taurus II, simply because it didn't generate 'that' sound.By the start of 1983, digital synthesis had arrived, MIDI was just round the corner, and MIDI bass pedals were to appear not long after. The original Moog company ceased trading in 1984, but in 1998, a short‑lived Welsh company (Moog Music Limited) announced the re‑release of the Taurus to accompany its Model 204E recreation of the Minimoog. The pedals never appeared, but shortly thereafter Bob Moog regained the rights to his name in the USA, Moog Music was reborn, the Voyager was announced, and the clamour for Taurus pedals began anew. In the autumn of 2008, Moog Music asked aficionados to put their money where their mouths were and to pay $500 each to fund the development of a limited edition of 1000 units. Many players were willing to do so, and the Taurus 3 was born.An Unusual Playing StyleThe most famous users of Taurus pedals are rooted in the prog‑rock of the late 1970s: Pink Floyd, Led Zeppelin and, most significantly, Mike Rutherford of Genesis, as well as Geddy Lee and Alex Lifeson of Rush. Later users included Saga, Marillion, Asia, and the Police. But my favourite Taurus player was Steve Hackett's brother John, who played a set with his fists, most notably on 'Clocks' (1979), in which he used one hand to press the pedals, while the other 'played' the octave switch to give the pedals an apparent two‑octave range.It's More Than Just SoundIt's easy to understand why the original Taurus pedals remain so desirable. There's the sound, of course. But just as important, there's the essential 'rightness' of the design, which inserts no impediments between the player and the performance. Big, chunky sliders designed for your oversize wellies, footswitches placed far enough apart so that you don't hit the wrong one on a gloomy stage, and pedals that are easy to play when you're balancing on one leg... all are important factors that helped to make

2025-04-21