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This community is building, and that so many women and people have felt empowered by the songs I write. My music feels so much bigger than me now and that credit goes to my wonderful audience who surround me; it feels like we’ve built something really special and to be nominated only wants me to keep going and create more. Has TikTok impacted your life in any way? Tiktok has been massively impactful to my career as a place where so many of my fans discovered my music, and its gone on to be the place where the larger community around my music keeps building. It’s where we made things like “Labour (The Cacophony)” with hundreds of girls and women adding their voices to the song, and where I was completely uplifted by the voices of all of those people with whom my songs resonate. It’s been a huge part of getting my music heard, from when I was posting covers and originals and little creative videos to no audience a few years ago, to where I am now. Favorite song: “I’m Your Man” by Mitski. Describe yourself in three words: Driven, imaginative, overthinker. Video you are most proud of creating: Tia Wood, @tiamiscihk (Saddle Lake, Canada) Image Credit: TikTok/Angella Choe ORIGINATOR At a young age, Tia Wood was already a seasoned entertainer having toured the powwow trail extensively with her family, some of whom are members of Grammy Award-nominated group Northern Cree. Tia grew up in Saddle Lake, Alberta,

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Number based around a simple riff from Boult. It's just a really melodic song that makes a statement about today's society. The third track "Blind To The Beautiful" is a real nice acoustic number. This is the first song on the album to prominently featured Elizabeth on the backing vocals. She harmonises well with Fish. Towards the end, there is a really good violin solo from Aidan O'Rourke that personifies the melancholy of the song. The fourth track is the title track, "A Feast Of Consequences". This is another straight ahead rocker based around a neat riff from Boult. All three main components of this song are excellent. The main verses have a nice groove. The pre-chorus backed by the piano is delicate and that leads nicely into the catchiest chorus on the album. The "High Wood" suite is the centrepiece of this album, indeed. It's composed by tracks, "High Wood", "Crucifix Corner", "The Gathering", "Thistle Alley" and "The Leaving". The first part, "High Wood", which, after a gentle intro, is pretty dramatic with some spiky guitar work and almost orchestral keyboard parts, leads beautifully into the second part "Crucifix Corner". Atmospheric is a good word to describe the opening of it. Fish's voice and the piano intertwine well as the song slowly builds up and it's not long before Boult's big guitars come in. During this section, Fish's vocal melodies are possibly some of the best that he has ever come up with. My favourite part of the "High Wood" suite is perhaps the third part, "The Gathering". From there, the album moves onto "Thistle Alley" which is very different from "The Gathering". It's a very dark piece that sees Fish almost approaching metal territory, in places. The fifth and final part "The Leaving" sums up the suite. It's a very poignant and intelligent piece, certainly very emotional for him. I have to congratulate Fish, as the "High Wood" suite is easily the best series of songs on the subject of war I've ever listened till now. The tenth track "The Other Side Of Me" is a typical Fish's ballad. Elisabeth's vocal contributions on this song are again excellent and feature the first proper guitar solo from Boult on the album. The eleventh track "The Great Unravelling" brings the album to a close very well. I really like the call and response vocals from Fish and Elisabeth and the really atmospheric keyboards. It also has the best instrumental break of any song on the album as Boult finally cuts loose for a really monster solo, which is the last thing you really hear before "A Feast Of Consequences" ends, indeed.Conclusion: I must confess that I'm not completely comfortable to