Beyerdynamic m160

Author: r | 2025-04-24

Le produit BEYERDYNAMIC M160 DOUBLE RIBBON est dans le panier. BEYERDYNAMIC M160 DOUBLE RIBBON; beyerdynamic; Code : BEYER-M160. MICROPHONE; 1 239,99$

Beyerdynamic M260 OR M160 - Gearspace

By electromagnetic induction. They are extremely delicate, as the ribbon is typically 1/50th the thickness of human hair. Crazy, right? But the greater sensitivity to input impedance leads to a more natural sound. However, ribbons are closely related to dynamic microphones, and sometimes need to be paired with a good microphone preamplifier to increase the input volume. While it features a dual-ribbon setup, it's actually using a Hypercardioid polar pattern, which is one of the most unique features of the Beyerdynamic M160. This makes it very directional, which pairs well with the natural, wide, and rich pickup from ribbon microphones. It has a wide-range frequency response rate of 40Hz - 18kHz, maintaining a rich, warm sound on the lows and crystal clear high-end. Beyerdynamic M160 XLR Port As we'll talk about in the next section, the Beyerdynamic M160 is very popular for instruments. One reason for this is the high transient response rate, which is responsible for capturing rapid sound waves caused by vibration. The two most notable examples of this would be the kick drum or the strings on a guitar. When you factor in the M160s ability to record transience with the well-balanced frequency response & SPL (Sound Pressure Level), we can begin to understand the power of this microphoone. In terms of connectivity, while some microphones allow you to use USB ports, the Beyerdynamic M160 is an XLR microphone. This is important to keep in mind if you're planning to plug it right into your computer. XLR has been the industry standard for decades and is shown to maintain the highest level of quality. Check Price On Amazon What It's Good For The Beyerdynamic M160 is a highly versatile microphone, that's great for all types of music. Notice how I said music. I really wouldn't look at this microphone if you're looking for something to record videos with or do live streams, because when the Beyerdynamic M160 was originally designed, it was built around getting the most beautiful sound from instruments and vocals, with a full range of frequencies to produce top-notch sound. Beyerdynamic M160 Double Ribbon

beyerdynamic m160 for sale - eBay

Updated on Mar 16, 2022 Score: 9.8/10 Price: $699.00 Brand: Beyerdynamic Model: M160 Type: Dynamic The Beyerdynamic M160 is one of my favorite microphones, and I'm beyond excited for the chance to review it today. You may be wondering, why all the excitement? Well, as microphone enthusiasts, we don't see a lot of ribbon microphones around, but as we'll dive into later on, they offer such a deep, natural sound that many microphones wish they could compete with. Beyerdynamic M160 Ribbon Microphone Side Shot The Beyerdynamic M 160 Dual Ribbon Hypercardioid Microphone was originally released in 1957, bringing about it's own unique twist on the traditional ribbon style. It has so many versatile uses, and has a history of being used by some of the most legendary musicians the world has ever seen, like Led Zeppelin's John Bonham for his drum set. It's definitely narrowed down to the music market, whether you're a singer or instrumentalist, so if that sounds like you, keep on reading! For today's review, we'll be talking about the Beyerdynamic M160 in great detail. We'll start by diving into everything we love about the microphone, and then go into what & who it's best used for. Afterward, we're going to talk about some of the potential downsides of using this microphone. It's not commonly found, but that may not be a bad thing. We're going to find out and then let you know some of our favorite alternatives. Check Price On Amazon Why It's Great The Beyerdynamic M160 is quite the beautiful microphone, from the physical design down to the artistic sound it's capable of producing. Of course, it's one of the best ribbon microphones on the market and a big reason it's still talked about today. But many of you may not know what the difference between microphone types is, and why being a ribbon is so exciting. Close Up Of Beyerdynamic M160 Capsule These types of microphone use a thin electrically conductive ribbon, typically made of aluminum, duraluminum or nanofilm, which is then placed between the poles of a magnet to produce a voltage

Beyerdynamic M160 for sale - eBay

Through an xlr input on the scarlett focusrite, with the global 48v phantom power engaged, would "totally destroy" the M160.They said that if I run the M160 through the Black Lion Auteur via a line input (no phantom power engaged on auteur- the auteur allows you to turn phantom power on and off for each channel separately) and into the focusrite w/ phantom power on, I should have no issues. The focusrite phantom power only applies to the xlr inputs.It sounds like this is a good definitive answer: that I can use the M160 into the focusrite, so long as it's a line input via another pre. If that tech worked for me I'd fire him. Totally wrong information (highlighted).He's saying that ANY phantom power will destroy the mic. Completely wrong!!! In fact, the entire point of phantom power in the first place is it is power that doesn't appear across the mic...hence, "phantom". Gear Head Joined: Apr 2021 Posts: 69 Thanks for the input everyone! Yep, I thought it was kind of odd she said that.It sounds like I'll be OK even if the phantom power is engaged. I'll be running the ribbon mic through the black lion pre and I'll make sure phantom power is off for that channel on the black lion. Lives for gear Joined: Jun 2005 🎧 15 years Quote: Originally Posted by diamondJoe12 ➡️ Ok guys, I just got off the phone with Beyerdynamic and asked them specifically about this. What I learned:They said putting the M160 directly through an xlr input on the scarlett focusrite, with the global 48v phantom power engaged, would "totally destroy" the M160.. Direct from Beyers site: contradicts ...Should change the "They said" to "He said"...Or maybe HE has a Scarlett and IT does the same thing I mentioned. Le produit BEYERDYNAMIC M160 DOUBLE RIBBON est dans le panier. BEYERDYNAMIC M160 DOUBLE RIBBON; beyerdynamic; Code : BEYER-M160. MICROPHONE; 1 239,99$ Package IR contents: Beyerdynamic M160 Shure SM57 Sennheiser 421 Shure SM57 Sennheiser 421 Beyerdynamic M160 Beyerdynamic M201 Shure SM57 Beyerdynamic M201

Beyerdynamic M160 at a distance - Gearspace

A penalty... Gear Head Joined: Apr 2021 Posts: 69 Ok guys, I just got off the phone with Beyerdynamic and asked them specifically about this. What I learned:They said putting the M160 directly through an xlr input on the scarlett focusrite, with the global 48v phantom power engaged, would "totally destroy" the M160.They said that if I run the M160 through the Black Lion Auteur via a line input (no phantom power engaged on auteur- the auteur allows you to turn phantom power on and off for each channel separately) and into the focusrite w/ phantom power on, I should have no issues. The focusrite phantom power only applies to the xlr inputs.It sounds like this is a good definitive answer: that I can use the M160 into the focusrite, so long as it's a line input via another pre. Lives for gear Joined: Mar 2004 🎧 20 years Their answer just goes to show that first-level technical support folks are not the sharpest tools in the kit. The answer given you by @jaddie was correct. I've used my m160 on stage many times with boards that did not have individually-switched phantom power. I always supply my own cable though. Last edited by David Rick; 1st July 2021 at 05:14 AM.. Reason: restored lost words Quote: Originally Posted by diamondJoe12 ➡️ They said putting the M160 directly through an xlr input on the scarlett focusrite, with the global 48v phantom power engaged, would "totally destroy" the M160. Gotta agree with David on this. That Beyer tech is, simply, wrong. CYA, perhaps.D. Lives for gear Joined: Mar 2010 🎧 15 years Quote: Originally Posted by diamondJoe12 ➡️ Ok guys, I just got off the phone with Beyerdynamic and asked them specifically about this. What I learned:They said putting the M160 directly

Beyerdynamic M160 Review - Musician Nerd

Microphone Box Kit Most of the time when I hear people talk about the Beyerdynamic M160, they're talking about recording the drums. As I mentioned before, it has a popular history being used by one of the greatest drummers in history, John Bonham. This is because of the colorful rich sound and high SPL (Sound Pressure Level) this microphone is capable of achieving. The rapid transience from the bass drum along with the loud wall of noise is going to come through with ease for the Beyerdynamic M160, giving you the same sound as if you were still in the room with it. However, it's great for every instrument. In fact, I argue it's one of the best microphones for acoustic guitar, thanks to the broad frequency capabilities. Many microphones, particularly condensers, have strong wide-range frequency response, but the Beyerdynamic M160 takes that a step further. Yes, it records each frequency well, but it also paints them the way they were meant to be heard. You get the rich, colorful bass, with a present mid-range, topped off the crispy high-end frequencies. The guitar is one of the hardest instruments to reproduce perfectly, because of the broad sounds. From the full, rich noise of the soundhole, to the high-end waves of the strings. But even the ability to capture the sound of impact from your pick to the strings is like a warm knife cutting through butter with this microphone. To add to that, I've tested it with both Ukeleles and Mandolins, as well as brass instruments and of course, the drums. Check Price On Amazon The Downsides There's not a whole lot wrong with the Beyerdynamic M160, per ce, but some people would argue it's a very niche microphone. It does have a little coloring to it, so you won't get the brightest sound if you're on vocals, but it is almost in a different category. I like a raw, bright sample on vocals, which is why I don't use this mic as my primary in the studio, but if you're aiming for a rich sound, it gives you that

Beyerdynamic M160 Microphone - Guitar Interactive

Gear Nut Joined: May 2019 Posts: 124 🎧 5 years Beyerdynamic M160 vs Neumann KM 188 vs Shure SM81 vs Shure SM57 vs Röde NT1 I just did something I've wanted to do for a long time. I bought several mics from a store with a try-and-return policy so I could finally see what sounds best in my studio. I record pretty much only acoustic guitar but these mics can be used for any acoustic sound source.The mics I bought:Shure SM57 (1 222,00 SEK)Röde NT1 (1 999 SEK) I allready owned this mic.Shure SM81 (4 599,00 SEK)Neumann KM 184mt (8 499,00 SEK)Beyerdynamic M160 (8 699,00 SEK)I mic:ed them all pointing at the 12th fret and used the shortest recommended distance for each type of mic, to get as honest of a comparison as possible. My immediate reaction is as follows.My guitar sounds like shit on the SM57. Very dull and overcall crappy sound.Röde NT1 (the one I have used for over a year at this point) is slightly above the SM57 but the sound is crap, it sounds metallic, hollow and weird... like I'm recording in a tin can or something.Going up to the SM81 is an IMMEDIATE and audible improvement in pretty much every aspect of the sound. Not perfect but the sound is almost ready to use as it is.The KM 184 mt sounds identical to the SM81 in my studio. I can't pass a blind test. Which means the SM81 has greater value at almost half the price.I expected the M160 to be the best, but my first impression was that it was too boomy on a lot of material. After trying different things I noticed that in the stuff where it wasn't so boomy (like guitar songs that are a bit higher on the frequency spectrum), it actually outshone the SM81/KM184mt. If money wasn't an issue, I'd keep the M160 and the Sm81 or KM184mt.Conclusion:The Sm81 was the cheapest of the good mics. It sounded exactly like the more expensive Km184mt. It worked great overall, no matter if the song was more on the low or high frequency side. Seemed like a great mic that sounds good on everything. The M160 sounds slightly superior on some stuff, but as I mentioned on some stuff it was way too boomy, producing a recording that did not come close to anything that was ready to be used as it is without further processing.So I'm probably keeping the SM81. it will produce more consistant results and require less work.I'm also curious if the acoustics in my studio affected the comparison in any way.What do you think and what is your experience? I have attached a small clip strumming that you can listen to in sequence.Edit: it seems I forgot to turn of the high pass filter i had at 80 hz in all these recordings, so bear that in mind.

Beyerdynamic M160 Double Ribbon Microphone

Durability of Beyerdynamic M160 ribbon mic...? I've read a few posts here from people stating that they've had to have their Beyerdynamic M 160 ribbon mics serviced once, if not several times.I know that ribbon mics are somewhat "fragile" by nature, but if they are not "abused", can one expect to get long life out of them without having to send them in for repair?Say you use a pair of M160s for drum overheads, fairly close to the kit, with a drummer that hits VERY hard... can the M160s endure this? If so, how LONG can they endure it? Days, months, years...?I assume that close miking an extremely high SPL source with an M160 is what will potentially lead to its demise.... hopefully distance miking something would be totally safe. Anyone?I am interested in trying out some ribbons for the first time, the M160 seems to be a good choice for what I want to do, plus not overly expensive. But, I really do not want to have reliability issues. If these mics truly are so fragile that they will essentially REQUIRE periodic service, I'd like to know.If you own an M160 and had to have it repaired, can you explain / describe HOW you were using it when it failed?Thanks Lives for gear Joined: Dec 2004 🎧 20 years The enemy of ribbon mics is not really high SPL, but wind blasts. Examples would be from a kick drum, bass cabinet or somebody blowing into the mic ect.Just use a pop filter in front of sources that move air.You will be more than ok using them as overheads with a super loud drummer. Registered User Joined: Feb 2006 Posts: 577 🎧 15 years Quote: Originally Posted by 666666 ➡️ I've read a few posts here from people stating that they've had to have their Beyerdynamic M 160 ribbon mics serviced once, if not several times.I know that ribbon mics are somewhat "fragile" by nature, but if they are not "abused", can one expect to get long life out of them without having to send them in for repair?Say you use a pair of M160s for drum overheads, fairly close to the kit, with a drummer that hits VERY hard... can the M160s endure this? If so, how LONG can they endure it? Days, months, years...?I assume that close miking an extremely high SPL source with an M160 is what will potentially lead to its demise.... hopefully distance miking something would be totally safe. Anyone?I am interested in trying out some ribbons for the first time, the M160 seems to be a good choice for what I want to do, plus not overly expensive. But, I really do not want. Le produit BEYERDYNAMIC M160 DOUBLE RIBBON est dans le panier. BEYERDYNAMIC M160 DOUBLE RIBBON; beyerdynamic; Code : BEYER-M160. MICROPHONE; 1 239,99$

Beyerdynamic M160 Microphone Tested Reviewed

And some. Again, if you're on the drums or recording the acoustic guitar or amplifier, it's a world-class microphone. For vocals, it may feel a bit bias. Check Price On Amazon Pros & Cons Pros Ribbon High SPL (Drums, Amplifiers) High End Sound Cons Niche Sound Best Used For Instruments Vocals Check Price On Amazon Alternatives The sE Electronics Voodoo VR2 is by far the best alternative I could ever recommend to you if you're stuck on getting a ribbon microphone, while saving a few bucks. I'll be candid and tell you that it's still got quite the price tag, but if you can save a little for a minimal performance sacrifice, then why not. sE Electronics VR2 Voodoo Active Ribbon Mic It's not a microphone I see being used very often, but I've always been a big fan of the sE Electronics Voodoo VR2, and still pull mine out from time to time. I love the shape of the capsule as it totally shows off the iconic ribbon effect, and balances the sound frequencies better than many other mics on the market. You get the full trifecta here, from a strong mid-range presence, with powerful, clear lows, and one of the more impressive high-end roll offs I've seen in a mic. The result is a truly organic sound that'll knock your socks off. Because of the strong level of clarity on the high-end, I sometimes prefer it for recording cymbals over the Beyerdynamic M160. That being said, it's also great for other instruments and even your vocals. It comes with a beautiful wooden case and a custom shock-mount. A great alternative to the M160 and a beautiful microphone all around. Check Price On Amazon The Sennheiser e945 is another incredible alternative to the Beyerdynamic M160 if you're looking for a solid vocal microphone. Sennheiser makes some of my favorite microphones, though they're often found in the niche market for singers. The e945 is one found on stage being used by many well-known artists, as it offers a ton of reliability. Sennheiser e945 Dynamic Handheld Microphone The Sennheiser e945 uses

Mixdown's Picks: Beyerdynamic M160 - Mixdown

…or MicMeister tho’ ! Gear Maniac Joined: Jun 2018 🎧 5 years My working routine is to always mute the microphone preamp channel input first, which is done with a relay, to spare the microphone input, then switch phantom power off, then plug out the microphone. I do not accept global phantom power, such units I do not buy. Super Moderator Joined: Aug 2002 🎧 20 years You don't have to use another mic preamp into the line input if you buy a $5.00 Phantom Power Blocker.Also, it's about how and when the XLR is plugged in. The connector should be connected first before turning on the Phantom Power switch. If PP is switched on and pins 2&3 hit the phantom powered XLR equally, there should not be a problem. Sometimes an XLR can be inserted on an angle and the ribbon can get damaged if either pin 2 or pin 3 connect first. Quote: Originally Posted by diamondJoe12 ➡️ Ok guys, I just got off the phone with Beyerdynamic and asked them specifically about this. What I learned:They said putting the M160 directly through an xlr input on the scarlett focusrite, with the global 48v phantom power engaged, would "totally destroy" the M160.They said that if I run the M160 through the Black Lion Auteur via a line input (no phantom power engaged on auteur- the auteur allows you to turn phantom power on and off for each channel separately) and into the focusrite w/ phantom power on, I should have no issues. The focusrite phantom power only applies to the xlr inputs.It sounds like this is a good definitive answer: that I can use the M160 into the focusrite, so long as it's a line input via another pre. Give it up for Doug. On my second job. Le produit BEYERDYNAMIC M160 DOUBLE RIBBON est dans le panier. BEYERDYNAMIC M160 DOUBLE RIBBON; beyerdynamic; Code : BEYER-M160. MICROPHONE; 1 239,99$

BEYERDYNAMIC M160 DOUBLE RIBBON STUDIO

Gear Head Joined: Apr 2021 Posts: 69 Phantom power and Beyerdynamic M160 Ok guys, I have a silly question but here goes:I have a scarlett 4i4 interface through which I'll be running two mics, one of which will likely need phantom power. The other mic is a Beyer160 which I've heard you should NOT run through phantom power. There is a little switch on the scarlett that reads 48v, which I believe engages phantom power.So what do I do if I run two mics through the scarlett, and one needs phantom while the other should not use phantom?I'm confused ... any help appreciated . Don't want to blow out my mics.Thanks! I would say that if you are certain that your cables are wired correctly, you can plug your Beyer M160 into an input that is phantom powered without any damage. It's a modern ribbon mic.D. Gear Head Joined: Apr 2021 Posts: 69 Thanks! But what do you mean when you say 'wired correctly'? what should i be looking out for? Lives for gear Joined: Mar 2010 🎧 15 years P48 phantom power by definition places 48V equally on pins 2 and 3 relative to ground. There no voltage difference between pin 2 and 3, so no DC voltage would be applied through any balanced mic, and no damage would result. This assumes everything is being done correctly.The cautions are:1. That the P48 circuit has been implemented correction. This would be true in most modern commercial products. 2. That the mic cable has been properly wired, without grounding Pin 2 or Pin 3.3. That the mic itself is wired correctly internally, also without ground on Pin 2 or Pin 3.If any of the above are true, there will be voltage applied across the mic, which if there is enough current